Thursday, 1 September 2011

Apple Mac - a few complaints?


I wouldn't normally write a post about computer related problems as I'm actually more interested by music and other issues. However, after spending a whole evening on a bug in the computer I thought about writing this little 'open letter' to Apple Macintosh which I've often thought could be a great company, but somehow isn't, even thought they invented the iPhone, iPods etc.  

I'm rather interested with the announcement by Steve Jobs of his retirement from Apple. Will anything change in this rather closed community? Even though I'm one of the Mac owners (in April 2011 Mac had 5% of the market share - PC 92%) I can't say much for the company except that I enjoy using it's operating system. Apart from that there's not much that really makes Mac any better than Microsoft. 

The other night I had a small (still unresolved) problem with my Safari (4.1.3) browser which won't keep it's cookies, causing me to constantly sign in to all pages such as Twitter, Hotmail, Blogs etc. I was reminded exactly how user 'unfriendly' Apple is when it comes to their clients. One of the first things I noticed when becoming a member of the Apple clan is their pretence at being a comunity, but with no real leader - Steve Jobs is just 'Mr Inventive', he doesn't care about what the average  Mac users 'user experience' really is, a little like a politician and a citizen - they're both out of touch with reality! If you have a problem then you're on your own, there is no support, rather strange when you think of how much you pay for your computers operating system. In fact there's very little in the way of feedback from the company itself, it's impossible to contact them and have any real dialogue. Will Tim Cook make a change in the way Apple carries itself as an arrogant company with no transparency and who refuse to address their clients questions and problems? I expect not, but who knows.

Some of the issues that I feel strongly about are actually quite simple things that could be easily remedied. I also feel that by addressing these issues Apple Macintosh would be a much stronger competitor on the market. Some questions (or examples) of a more market/user friendly policy could be as such :

a) Why does Mac insist on trying to sell 'Apple Care' at an extremely expensive price? Would it not be more logical to include this in all purchases of their products? Some people working at Apple mentioned that they don't sell very many Apple Care products, due to it's ridiculous pricing. My thoughts on the matter are that if one included it - all computers at Mac would be guaranteed for 3 years - it would be an excellent selling point. After all don't Mac believe in their own products enough to put their money where their mouths are?

b) What's all the pricing about? How comes different products are priced differently depending on the continent? I find it rather strange and most un-ethical that (as an example) a Macbook Pro costs :
 - In the USA :1199$ (832€ - on the day I converted the $)
 - In Europe : 1199€
 - In the UK : £999 (1130€ - on the day I converted the £)

Notice the difference of 332€ between the Dollar and the Euro, how come Apple has to charge the difference (at a higher level) to European users, do we deserve it? The UK price is a little more difficult to understand due to the fluctuation of the pound. But I find the fact that the Euro price and Dollar price are exactly the same, creepy almost. Are Apple so lazy they just thinks of a figure, and then place a dollar sign or Euro after it?  Just from the €/$ figures above there's a difference of 44%(*), how can it be justified? I should also add that you CANNOT buy you Apple products over the net from the USA to Europe although I suspect this may also be a international thing, however I imagine Apple doesn't want this either.

c) How can a company exist without real online support? After all Macintosh do make computers, don't they? I find it interesting that there is NOWHERE to actually contact Apple (directly) about their products such as Logic, Garage Band, Safari, iPods, iTunes etc. You are 'advised' to go to the Apple discussions forums on their site to solve any problems you may have! Isn't this a little sloppy for something that you pay for? Imagine feeling ill and being told by your doctor to go and find the problem on a chat-room somewhere! Or that the car you bought isn't working, or the phone no longer functions, your electricity is off .. and then being told to "look it up on the web". To me it's simply unacceptable,  I can't understand why European law doesn't oblige them to have a service, and that doesn't mean taking your computer into a shop (and leaving it with them for weeks, and pay to have someone look at it).

d) Why won't Apple tell us what's coming and when, why the secrecy? Can't they interact with their customers on the development of their products? This way we as the consumer can plan our purchases a little more correctly, and that means less waste in this so called eco-friendly age. As an example - recently (well a few years ago) Apple did away with firewire without telling anyone beforehand. What did that mean? Well, Mac had been pushing Firewire products for years - useful for back-up media, film and music software (among others) - and many people had spent much money on these products only to find from one day to the next that it had disappeared, with no explanation - Apple decided that they didn't owe answers to anybody. They have continued it but in a rather modified version on certain computers.

e) In the chat-room forum on Apple's own site NO negative comments or criticisms of Mac and  it's policies, products, updates and changes,  are allowed - they're deleted by an administrator almost immediately! Rather odd I find for a so called 'alternative' company that is meant to be used by alternative thinking people, the so called hippy generation. Why can't Apple accept negative criticism and use it in a positive way to develop their products - hopefully to suit our needs and not their pockets.

f) etc, etc .......... I'm sure if you use a Mac you can add quite a few of you're own complaints.

It will be interesting to see if Macintosh can keep a hold on their market in the next few years. I suspect that they will have a hard time unless they're prepared to compromise, and even now it maybe too late. Other people are starting to make 'Apple' products, but cheaper and better. The iPhone market is up in the air, and Apple wish to keep hold of it, can they? The Hackintosh is already creaping into the market, and of course Apple Macintosh wish to stop it. What is a Hackintosh you may ask? Well, PC's are basically computers that run with Microsoft  Windows  or Linux  (a freeware operating system). They are cheaper because there are dozens of different makes on the market that all have Microsoft system licences, and of course have to compete between each other for a slice of the market. This doesn't always mean quality, but it does keep the prices down. Hackintosh is basically the same, why not have other computers running OS X it would be more competitive and would maybe help Apple to become more transparent?

For the moment I'll carry on using my Mac until it breaks down (it already has problems), but after that I have to start wondering is it worth it, will Apple start listening, or do I follow the Hacks and get on with my own agenda?

Interesting Hackintosh links :

How Hackintosh a Dell Mini 9 into an OS X Netbook.
Hackintosh.com
Install OS X onto your Hackintosh PC 

(*) Maths is not my strong point, so the percentage is my rough calculation.

::::::

Thursday, 7 July 2011

Examples of Twelves - Things Will Be


What a pleasure to hear Things Will Be, the third (*) and (from what I've read) final part to the 'Example of Twelves' trilogy, released this month on Impossible Ark Records. It's really refreshing to hear music which although not 'avante-garde' or musically ground breaking, does actually defy easy categorisation. Music often fits easily into one category or another and groups are happily surprised to discover their record has had more far ranging influence than was originally intended. Who would of imagined in the 60s that rock music would change the direction of jazz forever? Some people (listeners and musicians alike) never really got over this hybrid change in their sacred swinging sounds, others jumped in right up to their necks. What has emerged many years later is the possibility of styles that can comfortably cross-over different genres with studio techniques opening up a large palette of sounds and colours for any musician who's ready to learn. 

You might be wondering what all of the above has to do with the album at hand Examples of Twelves - Things Will Be ...? The answer is in part due to the diversity of bassist leader and composer Riaan Vosloo's vision of music, his ability take from many musical languages, and popular culture in general, yet at no point hand back pale imitations of any one style. The compositions on this record are subtly influenced by the cultures of modern dance musics such as funk, rap or reggae, free jazz, film music, and a healthy slice of film noire and jazz references which show influences ranging from Louis Malle to Coppola's 'One from the Heart'. The result being a highly listenable yet musically challenging ride through seven varied tracks.

What gives this record it's possibility to cross these stylistic boundaries is the wise use of instrumentation - sax, bass clarinet, flute, trumpet, piano, fender rhodes, bass and drums, arranged (orchestrated in fact) in such a way as to give a large ensemble sound when needed. Riaan Vosloo's experience in working with Nostalgia 77 also means that when the music needs to be 'funky', it can, and with the help of Tim Giles (Drums) and Ross Stanley (Fender) the music can go in multiple directions as needed and with the array of musicians different featured soloists appear throughout the music. The opening The Webs We Weave (Nocturne), one of the longest pieces on the LP, runs you through various themes which have a pastoral feeling at moments, due in part to the use of bass clarinet, trumpet, sax, flute and piano.  However as the music takes off room is left for solos over a grooving riff.  Lost People the second track cleverly uses a fine mixture of trumpet and bass clarinet in what could be a contemporary classical piece, launching into a fine heavy beat that the likes of Elbow would be proud of. The third and forth tracks are Please Hold Pt 1 and 2, Part 1 being a sort of solo piano meditation based around the theme that is yet to be revealed and very delicate it is, but when Part 2 arrives you start to really hear the nod towards what could make a beautiful film soundtrack theme. Fulvio Sigurta deserves a special mention as he manages (for my money) to play the theme beautifully without adding much or wandering off into other inflections at all.  Track five has jazz, dub, and much more to keep it up in the air ..... you can listen below yourselves.

The View from the Castle - Tk 5.

To my ears there seems to be a sort of suite like quality to the running order, however I'm not sure this is the real intention. On The Glass Bead Game (tk 6) there is a similar unwinding of various themes - as on The Webs We Weave (Tk 1) - and is probably what gives the feeling of a suite. Here Matthew Bourne gets a chance to show his avant-jazz chops to great effect and Mark Hanslip also manages to ride out some choppy rhythms playing his usual dense melodic lines to great effect. But everyone on this album sounds excellent and it's easy to see how you can come back to this release to listen again and again to this music.

The last track (7) Miniature 2 another piano meditation, leaving us with a melancholic feeling of an unanswered question. In fact the only thing that's really missing is that one almost wonders if any film credits will roll by.  

Riaan Vosloo - Bass (Arrangements and compositions)
Tim Giles - Drums
Ross Stanley - Fender Rhodes
Matthew Bourne - Piano
Mark Hanslip - Tenor sax
James Allsopp - Bass Clarinet, Tenor sax
Fulvio Sigurta - Trumpet
Catherine Shrubshall - clarinet
Tori Freestone - flute

Important Note - This is a limited edition of 400 LPs with hand printed covers ...... so don't wait if you're tempted as it's now or never. Well, for all of you that read this too late it is also available in digital download also.  For information on this release contact - info@impossiblearkrecords.co.uk

* = I was nicely impressed by this lovely album and am certainly curious to hear how we actually got to this point in the music. I'll bring you up to date with the first two records later in the summer when I've had time to hear them, and of course absorb a little of the music. Of course if you're curios you should also check out the other work these musicians are involved in such as the Twelves and Nostalgia 77 to mention just two!
Related Posts Plugin for WordPress, Blogger...